on Ballerinas and Baby Powder

There are times I wish I had my own studio or just some place where I could play around with strobes and different lighting setups.

The crew organized a shoot with ballerinas and power. The emphasis was on motion and we had the powder to accentuate the motion (and break the monotony). It was a good shoot but too bad I had barely sixty frames since we had limited time and around five photographers. There were three models and I didn't get to shoot the last one. But I am glad I had two keepers from the simple setup that we had. It was also a good test for the two large softboxes I bought during the Christmas season.

The main challenge while shooting was keeping the model in the short black backdrop and also in focus. What I did was prefocus on the final position where the model would jump, setup the strobes to point in that direction and then set my camera to manual focus. It would have been easier with a tripod but I forgot to bring one. It was also challenging to time the shutter press correctly with the jump or just after the powder was thrown. It took some attempts before I got the timing right with each model. Good thing the models were easy to work with. I just wish I had more time to shoot this concept.

I learned things from this shoot especially on how to setup motion shots with fixed strobes. And I really did enjoy this even with the limited time. I promise to reshoot this concept as soon as possible.

PS: Thanks to Sarah and the Crew for the shoot. And also a big thank you to LJ, Chrizza and Shannon for being really game models.

on Headshots and Niches

In my last blog I promised to feature the last model for our "not-so-recent" studio shoot. I saw a lot of keepers from the other model since I had a lot of shooting time. In this set though, I had to limit my shooting time to give the other guys a chance to shoot.

The set features Myla, who I had the pleasure of shooting before also in a similar studio setup. The only difference is that the last time we had strobes and now we have continuous lights. I am not really a fan of continuous lights and prefer working with strobes. But continuous lighting does have its benefits especially when shooting in a group. As a preference, I like using strobes or shooting outdoors in natural light.

 

 

 

Anyways, I have been watching a lot of Peter Hurley videos in recent days, and I have come to that realization that I like doing headshots. This set in particular is a good example. I had a lot of whole or half body shots but I seem to gravitate towards headshots a lot more. I am starting to think I have found my niche in the field of portraiture. And with this direction, I think my next project will be setting up a garage studio or something of that sort.

Wish me luck...

on One Light and Portrait #34

When dealing with indoor portrait shoots, I usually only need one light source. And the safest place for me to set it up is at a 45-degree angle to the side of a model and at eye level. This technique is something I learned some time ago by watching tutorial videos from the master of One Light Photography, Zack Arias. I really like the setup because it is so simple and it almost always works for portraits.

Two weeks ago, I got to use it again because while setting up I found out that we didn't have a light stand for the big studio light or the small strobe that we had. We improvised by letting the model sit on the floor while we set the light on a chair. It was technically not a one light setup but only one light was used to illuminate the model while a small strobe (used as an optical trigger for the studio light) was bounced against the wall but I think it didn't have much effect on the portrait. I added a bit of motion to the photo to make it a little better.

The second was a split light setup which was more to the side of the model to illuminate just one half of the face. I placed the small strobe behind the model to serve as rim light. I like this setup too because it adds quite a bit of drama to an otherwise plain portrait.

And of course there should always be one black and white photo.

I prefer this simple light setup because when I look at my portraits there are fewer distractions from introducing too many lights to the photo. I don't have to balance the lights or use up an entire hour just to figure out what I want to do and where to place the strobes. And as with any type of photography I do: the simpler it is to setup, the more time I can spend shooting.

And after all, going back to basics is always a good thing.

Portrait #34: Kitty

PS: Special thanks to Kate who did the makeup and styling and Richard Amora of A Photographs for lending us the studio. And to the crew as always for being there for the shoot.

PPS: This is the the first set where I used only the Nikkor AF 50mm 1.8D.

on Lightning and Interval Shooting

I just love it when there is a lightning storm. It's like nature is putting on a light show. I can just sit and watch it for hours.

Better yet, I could shoot it.

There have been lightning storms over the weekend. Since I have been under the weather, I decided that I'd shoot the storm tonight just to keep myself busy. But I did it in the relative safety and comfort of our living room. So, I mounted my camera on a tripod, set the interval shooting mode to shoot one hundred ten second exposures at one second intervals. I had a total of three rounds with the same settings and got these three frames.

It was the first time I tried shooting lightning using the interval mode and it turned out better than I expected. Too bad I didn't have a better angle on the lightning cloud or a wider lens. I hope to do better next time.