on Holiday Macro Adventures

Overcast days are perfect for photography especially when you go out hunting for macro subjects.

The country is celebrating it's independence day and it is a holiday. I took advantage of the holiday plus the overcast skies to shoot macro. I got about fifty keepers today; I will sort them out later. But as I have said before, one photo will make your day. And boy, did this one really make my day.

I was in my favorite macro spot where there is a pepper plant. It is home to huge and fierce looking ants and some predator flies. I was waiting for a bronze jumping spider to face me when I saw movement about three feet away. There was this fat jumping spider moving from leaf to leaf. It was one of the few times I saw a Jumping Spider really jump about a foot in distance. I quickly moved around the bush to where it was and found it already had something in its jaws. I would have been awesome to see it grab the wasp looking insect but I had to settle for a photo of it feeding. I only had three frames of this spider and this one is the best.

This is probably my current favorite spider photo. The details are awesome and I can clearly make out the prey too. It makes walking around in the bush for hours worth the effort.

Happy Independence Day to everyone!

on Jumper Portraits

In photography, you really need to find what you want to shoot and how you like to shoot...

There are times that I find shooting portraits boring. I tell the model how to pose, to look at the camera, drop the smile and then take the shot. I memorized how to frame my shot and how to post process it after. The monotonous shoots shorten my attention span to that of a kid (not that it is that long in the first place).

But I have found a type of portrait I would never get tired of. I can't tell my subject to pose or look at the camera. I cannot dictate the angle in which I am to shoot or even tell my subject to stay still. I have to make do with that short window of opportunity to get that shot I want; but when I get it, the feeling of success is really uplifting.

I am talking about shooting insect portraits. And specifically Jumping Spider portraits. Those beady eyes really get my attention. It will never be boring to shoot such portraits because it is hard work even finding jumpers in that ideal setting where I can shoot such portraits. And when you find then, you get about a minute or two to shoot. And while shooting you just have to pray your camera settings are spot on. It is a matter of both skill and luck; and a whole lot of patience.

Here are the first of many shots...

I like the darker spider better and was lucky that when I bent the branch it didn't move for a while. The light brown one clearly just finished feeding because of the big fat abdomen. It couldn't move as much so I got the shot. I am really happy with these two shots. I wish I'll get lucky again in the coming days...

on Summer's End

Summer is almost at an end and I still haven't found the time to shoot a lot of macro photos. Anyways, here is one of those that got buried in my flickr account by all the portraits I have been shooting lately. My favorite spider in the garden with its large eyes. This was taken about late afternoon when the jumping spiders are already starting to rest. I really like the summer months because of the long days and all the active creatures. It seems like summer is always the perfect time to shoot macro.

Since tomorrow is a Saturday, I think I will start shooting macro if the weather permits. I hope to make the most of the weekend since I have been seeing a lot of Lynx Spiders and Orb Weavers during the twilight hours.

on Shooting Macro Wide Open

The only limit to your creativity is your imagination....

I have come to accept that in the world of photography there is no sacred rule. Mastering rules and concepts is a must; but that's just the tip of the iceberg. After attaining the basic skill comes breaking rules. The real skill set comes when you find your own way of breaking rules to show off your creativity.

I'd like to highlight landscape photography (which is admittedly one of my waterloo) a field where the basic rules are rigidly applied. You shoot at f8 to f16 on wide angle lenses, apply the rule of thirds, properly expose the foreground and background and all the other stuff. But no one ever said that you cannot shoot at wide apertures or with telephoto lenses. It's how you use what you have that makes things interesting.

And no one ever said you can't shoot macro photography wide open...

I know that in macro photography, depth of field is important. You really want as much of your subject in focus and shooting wide open will give you very little depth of field. But that shallow DOF can be used in many ways to highlight certain parts of your subject; that is where creativity comes in.

Here is an ant looking fierce with only its jaws in focus.

And a cool black true bug coming out of the hazy background.

This little green fly looks nice with only its eyes in focus.

You don't need that much DOF when you shoot parallel to your plane of focus as seen in this photo of the green fly. I still had enough details to make the photo look nice even when shooting wide open

I have to admit that shooting macro wide open is very hard. But when you get it right, you will surely be proud of it. This is what I always say to those who ask me about ideal setups, settings or whatever: maximize your gear and creativity. The most important part of photography is the thought process.

on Summer Beach Getaways and Processing Portraits

Photography is like cooking, when you overcook something it wouldn't taste good. But leaving it raw can be a good thing.

We had our annual summer beach overnight with photographer, model and makeup artist friends in Talicud Island last weekend. It was yet another fun-filled stay in a beach where there is no electricity or running water and can only be accessed by boat. And of course we still had the usual sunset beach shoot. But this year we weren't so lucky because the sunset was shorter than what we normally expect during the summer months.

I decided to go against the norm for summer beach shoots and aim for black and white. I knew most photos from my photographer friends would come out in color because it is in the beach and around sunset plus you have a lovely model with nice skin tone. Well, going against the grain is what I am known for anyways so I might as well stay that way. And simple is always better for me. I don't need for it to be razor sharp or for the contrast to pack a punch. I just want my photo to retain the character of my model.

And I will never over process because I'd lose the essence of the portrait and get some sort of digital Frankenstein. It is a common mistake which photographers without their own personal styles make. They do all sorts of Dave Hill, Rarindra Prakarsa, Luko or Manny Librodo sharpening and stop only when they think its all there. For me HDR and portraits don't go well. And all those unnatural looking eyes and skin tone seem like they have been inspired by horror flicks. Funny thing is they spend hours and hours just to get THAT look. ** insert face palm here ** Experimenting is good but knowing how much post processing can be applied is what works best especially for portraits where you really have to retain the personality of the model.

A little color efex and totally rad action scripts here and there plus a bit of preset editing from lightroom and I am done. A good photo is a good photo even when it is unprocessed and no amount of post processing will make a bad photo look good. Just like a steak is good when it is rare or medium rare and ruined when it is well done.

Once again, thank you to Kate for being a fabulous model. To Karina Asetre and Kaye Garino for the makeup and styling. And to the Photobombers for another successful summer getaway.

on CS6, Tunnels and Portrait #30

One photo will make your day...

You can quote me on that statement above. I have said it before and always say it when shooting models or clients. I just need one photo to make my day. Everything else I shoot will just be for posterity sake. I mean, I am already there so might as well shoot some more right?

And last night I really thought I had a lot of time to edit an entire photoshoot set from a month ago. But then I selected my first photo, I didn't stop tinkering until I got what I really wanted out of it. I spent about an hour and a half doing stuff I normally don't do in photos like removing stray hair and all those portraiture stuff. Well, I guess there is a first for every thing.

Oh, and I did it in Adobe Photoshop CS6 Beta release. And I had so much fun because everything was faster and smoother. I learned how to use the color mode in the clone stamp tool and the new feature which is content aware move tool. But I didn't really move the subject around with the tool, I just extended the photo a bit to look more pleasing (in that rule of thirds kind of way). And the action scripts I use don't freeze my laptop anymore.

For those wondering how this shot was done. It was shot using my trusty Nikon D7000 and a Nikkor 85mm 1.8 AFD @ f1.8 and ISO 500 in ambient light. This was shot in a tunnel and I wanted to get the right light to expose my subject as well as the light from the other end of the tunnel for that starbust like effect. I am really liking the 85mm 1.8. I hope I can get one by the end of the year.

The model by the way is Mary Claire whom a co-shooter met while walking his dog. she does professional modeling here in the city. One this I really like about her is her confidence and easy going attitude. Well, come to think of it, those who get into my 100 Portraits project are all easy to work with.

 Portrait #30: Mary Claire

PS: Special thanks to Karina Asetre for the makeup and styling and as usual the Photobomber Crew for the Shoot. Do like the Photobomber Crew Facebook page.