on Backlogs, Clothing Ads and Portrait #45

This is long overdue!

I have had the priveledge to do three shoots with Fatima already and I haven't had the chance to publish any of it here in my blog. Truth be told, I always have fun doing a shoot with her because I do not need that much effort during the shoot because she is just simply awesome in front of the camera.

I just want to share with you guys the shoots I have done with her and to officially add her to my portraits project.

This shoot happened about a year ago inside the pedestrian underpass to the airport.

The next shoot was for a makeup competition where she and her makeup artist Paulyn Dy made it to the final cut.

 

The last shoot was taken about a month ago. This one was a quick strobist shoot with my good friend and peer Charisse Ann Bibera. I was inspired by the advertisements from clothing companies and tired a hand at making my own.

 

 

And this will be my entry to my portrait project:

Portrait #45: Fatima

This is probably the most number of photos I have published in one portrait blog. I know there will be more shoots in the coming months when she visits Davao again. She will always be one of my favorite models.

PS: Special thanks to all those who made these shoots possible. To Paulyn Dy of Makeup Magic by Paulyn Dy for the makeup on the first two shoots and for introducing me to Fatima. And to Charisse Bibera for being my co-shooter for the past few months. I hope to collaborate with all of you in the near future.

on Headshots and Niches

In my last blog I promised to feature the last model for our "not-so-recent" studio shoot. I saw a lot of keepers from the other model since I had a lot of shooting time. In this set though, I had to limit my shooting time to give the other guys a chance to shoot.

The set features Myla, who I had the pleasure of shooting before also in a similar studio setup. The only difference is that the last time we had strobes and now we have continuous lights. I am not really a fan of continuous lights and prefer working with strobes. But continuous lighting does have its benefits especially when shooting in a group. As a preference, I like using strobes or shooting outdoors in natural light.

 

 

 

Anyways, I have been watching a lot of Peter Hurley videos in recent days, and I have come to that realization that I like doing headshots. This set in particular is a good example. I had a lot of whole or half body shots but I seem to gravitate towards headshots a lot more. I am starting to think I have found my niche in the field of portraiture. And with this direction, I think my next project will be setting up a garage studio or something of that sort.

Wish me luck...

on Opportunities and Portraits #32 & #33

Always shoot like it's your last day...

I was asked to do a class picture for the graduating accountancy class of a university here. I knew two girls from that class so I decided to go for it. And it has been a tradition of sorts for me to shoot a graduating class each year. Sadly, the shoot didn't go well. The location of choice was cramped so it ended with a not so nice group shot.

But it wasn't a total loss though. I made sure to take portraits of my friends. I've been asking them to model for me for a very long time and I final got the opportunity to do so. It was a quick shoot. I took just about ten frames each since I was seriously low on memory card space. Good thing I got keepers out of those few frames.

I'm sad that I didn't do well with the class photo but at the same time I am still glad that I took the gig so I could shoot the portraits. I learned that making the most out of every opportunity is very important. If you think about it, it's like I broke even on this shoot; failed group shoot but good portrait shoot. It's a learning experience and I hope to do better next time.

Here are the latest additions to my portrait project.

Portrait #32: Alfe

Portrait #33: Chesca

on Summer Beach Getaways and Processing Portraits

Photography is like cooking, when you overcook something it wouldn't taste good. But leaving it raw can be a good thing.

We had our annual summer beach overnight with photographer, model and makeup artist friends in Talicud Island last weekend. It was yet another fun-filled stay in a beach where there is no electricity or running water and can only be accessed by boat. And of course we still had the usual sunset beach shoot. But this year we weren't so lucky because the sunset was shorter than what we normally expect during the summer months.

I decided to go against the norm for summer beach shoots and aim for black and white. I knew most photos from my photographer friends would come out in color because it is in the beach and around sunset plus you have a lovely model with nice skin tone. Well, going against the grain is what I am known for anyways so I might as well stay that way. And simple is always better for me. I don't need for it to be razor sharp or for the contrast to pack a punch. I just want my photo to retain the character of my model.

And I will never over process because I'd lose the essence of the portrait and get some sort of digital Frankenstein. It is a common mistake which photographers without their own personal styles make. They do all sorts of Dave Hill, Rarindra Prakarsa, Luko or Manny Librodo sharpening and stop only when they think its all there. For me HDR and portraits don't go well. And all those unnatural looking eyes and skin tone seem like they have been inspired by horror flicks. Funny thing is they spend hours and hours just to get THAT look. ** insert face palm here ** Experimenting is good but knowing how much post processing can be applied is what works best especially for portraits where you really have to retain the personality of the model.

A little color efex and totally rad action scripts here and there plus a bit of preset editing from lightroom and I am done. A good photo is a good photo even when it is unprocessed and no amount of post processing will make a bad photo look good. Just like a steak is good when it is rare or medium rare and ruined when it is well done.

Once again, thank you to Kate for being a fabulous model. To Karina Asetre and Kaye Garino for the makeup and styling. And to the Photobombers for another successful summer getaway.

on Simplicity, Monochrome and Portrait #29

I process my portraits depending on how I see my model's personality. And most often, I end up having simple black and white portraits.

I have said it often that I really work best in monochrome and with simple portraits rather than elaborate sets and a plethora of colors. And this matches Marfegen, my newest addition to my 100 portraits project quite well. She is both simple and stunning at the same time. Though she is a professional model, she sure does retain a lot of her simple girl charms when you meet her.

I really enjoyed this shoot because I really didn't need to direct Marfe. She knows her angles and what looks good. And I have been wanting to do a shoot with her since I first saw her. I'm glad that I finally get to add her to my ever growing project.

Portrait #29: Marfegen

PS: Special thanks to Karina Asetre for the makeup and styling. And to the crew (usual suspects) for the shoot.


PPS: This is a super late post. I have been kinda busy lately. I'll shoot another blog when I have the time.

on Prom and Portrait #28

Seriously, what are they feeding teens these days?

My friend asked me to do a shoot for her sister about a month ago because it was her highschool prom and she wanted to have a souvenir of sorts for that special occasion. I didn't hesitate to say yes because I have always wanted to take a portrait of Adreane for my project. I saw her on facebook and I knew I wanted to add her to take a portrait of her.

And then I was surprised to see a tall lady instead of a blooming teen.

She is still sixteen and in highschool and I was thinking I would be shooting something that was more on the teen(y) side. And so my plans went out the window when I saw how matured she looked. It was a good thing that I quickly found out her angles and got to the business of doing her photoshoot. It is her first time but she got the hang of posing and how to project in front of the camera. I am glad she was comfortable during the shoot.

While reviewing the shots I took, I realized how different it was from what I originally envisioned. And I am glad I still pulled it off. Like what I always say to my models, I only need one shot to make my day. And after post processing only a handful of shots, I can say I had two (or more) keepers on that day. I will go back for a second look at this shoot when I find some time.

Here is the portrait I will add to my project. I had a hard time choosing between the B&W photo and the one I chose because I think both are good enough to be in my portrait project. I decided to take this closeup as it is a bit more unique. Plus I love the reflection in her eyes.

Portrait #28: Adreane

PS: Special thanks to Amylae for inviting me to do the shoot.

PPS: This is a late post because I have been swamped with projects this past month. I wish I can shoot and post process more often in the coming days.

on Rain Drops and Lens Flares (Portraits #26 and #27)

I will shoot portraits at any given time as long as I have strobes; and in any weather condition as long as my models can stand it.

This particular shoot happened three weeks ago in the middle of a rubber plantation and while it was rainy. One good thing was that the overcast wasn't as bad so we still had lots of ambient light. And I had this idea of using the strobes as rim light so that the rain drops would be illuminated. Thankfully it worked.

Instant bokeh raindrops!

 

Too bad the rain didn't last the entire first set of Aubrey. When the second model, Angela, came out, there wasn't a single drop of rain; and so I settled for lens flares. Having flares is easy when you have large aperture lenses. Just place the strobes in the frame and you get flares.

 

And just to note, this isn't the first time I had a shoot with either Aubrey or Angela. But this is the first time I had output. The other shoots are buried somewhere in my archives. I'll visit those soon. It was a pleasure doing a shoot with them as they were really professional during shoots. I hope to publish some more shots from this shoot because there are other keepers that I need to look at.

Before I forget, I also have their portraits for my project.

Portrait #26: Aubrey

 

Portrait #27: Angela

 

PS: As always, thank you Kaye Garino for the MUA and the Photobombers for the shoot.

on Comebacks and B&W

It's been awhile since I've done portraits... well, portraits for my portfolio that is. I've been shooting for clients lately. And with clients, you don't really get to do much experimenting; it's always about the tried and tested formula when you are paid.

So, here is my comeback shoot.

I've done a whole lot of black and whites in my portraits. I can't recall the last time I went for the overexposed film look. Well, it fits the concept quite well in my opinion. We were shooting in a plantation and I really hate it when there is too much greens and not a whole lot of other things. I was tempted to do muted (desaturated) or cross processed output but I decided to go overboard and killed all the colors. I experimented with the infrared preset in Lightroom and changed the values a bit on this set. Reminds me of the overexposed shots I had when I was still learning.

Well, I still like how it turned out. Oh, and there’s more to come as I am not yet done with the portrait that I will add to my project. And I'll tell you about the model in my next blog.

PS: thank you to Miss Kaye Garino for the makeup and the photobomber crew for the shoot.

On Sharpness, Composition and Portrait #25

Sharpness and resolution don't matter when there isn't subject and composition -- Kai Wong (DigitalRev TV)

There are times when the photo you like the most in a set is the one that is out of focus, blurred or over/under exposed.

I came in late for a photo shoot. I was drenched in the rain and had a long day in the office. It was on a Monday and people know how much I hate Mondays. But we had Janelle, who I always wanted to shoot, as the model and I didn't want to waste such an opportunity. So I had to make the best of the little time I had (since I came in on the last set) and the smallish makeshift studio setup. I only had my legacy Tamron 90mm f2.5 macro lens with me so all I could do were half body shots and close up portraits. I'm glad I still had some good shots of her.

 

 

And for the photo I'd add to my 100 portraits, it isn't that sharp due to the motion blur but I like it anyways. It is still a good shot for me. It is a unique addition since this is the first action/in motion shot I'll add to my project.

Portrait #25: Janelle

on Portrait #24 in High Key Mono

"One very important difference between color and monochromatic photography is this: in black and white you suggest; in color you state. Much can be implied by suggestion, but statement demands certainty… absolute certainty." -- Paul Outerbridge

Most of my friends say I shoot better in black and white. I don't really intend to shoot everything in black and white but it admittedly does makes my photos more interesting. I have found that I tend to process my ambient light shots in color and my strobist shots in black and white. It probably has something to do with my preference in shooting. I tend to find it easier to shoot in ambient light than with strobes. Although I get more flexiblity when I control the light, I find it much simpler to just find a steady light source. Or probably I just hate setting up the lights. Plus it is easier to balance my lighting when it is an ambient light source.

Here is the latest addition to my portraits project in High Key Black and White. Simple white background, 3 lights and my model Aya. Shes still in highschool but works as a part time ramp model. Its always fun when you have a cheerful model who easily adjusts to the shoot. We had a ton of laughs while doing the shoot.

Portrait #24: Aya

   

And it is the first time that we used my house as location for a shoot. I started thinking of putting up a makeshift studio in the garage during the Christmas break. Hopefully, I find the resources and time to do it.

PS: special thanks to Karina Asetre, our MUA and Stylist for this shoot.

On Black and White Treatments and Portrait #22

Life is a lesson, you'll learn it when you're through.

Photography for me is an endless learning experience. I shoot macro and learn new things about insects and flowers. I shoot portraits and learn about the person I am shooting. And after shooting, I decide on how to post process a photo. And since I am still in the stage where I do not have a permanent workflow, I experiment on techniques; and again I learn new things.

And in the photo I am going to show, I learned that having a Sepia layer on top of the traditional Black and White layer makes the B&W look softer. I tried different opacity values and layer arrangements. Experimenting on the treatment is as fun as researching things about my macro subjects; and takes up as much time.

The day that I stop learning in photography is the day that it will become boring.

Portrait #22: Genie

A little something about Genie, she is a model and singer. As you can see, she is really pretty and she has a voice that is as pretty as her face. She is always seen in product launching events and other events with models. She is probably as busy as I am and this is only the second time I had the chance to shoot her as she is busy with all her gigs.

On Post Processing Hell and High Key

I have this habit of looking for leftovers inside the fridge in the middle of the night and making a meal out of what I find. It's something I have been doing since college and I usually write blogs while I'm eating; it helps me think better.

Last night, I did something similar. I scanned my old archives for shots I haven't done any post processing on. I actually found a couple of whole shoots that were left unprocessed. Most were dated around November to December last year. Back then I had photoshoots every weekend. The set I chose was one sandwiched between a prenup shoot and volunteer work. I have been trying to find time to do some light post processing for this shoot but newer shoots keep coming up and it gets stuck in the back burner.

In the IT industry, we call projects that are stuck in the back burner as being in the "Development Hell". I'll call this "Post processing Hell" since the shoot has been done but the photos never got to the post processing stage.

Well, I made some progress last night and found some pretty interesting shots of Anne. The photos belong to the High Key session (our group refers to shoots either by the name of the model or the concept); I never got to publish any of the shots from that session. I applied some of my newer post processing workflows to this set; my workflow from November last year didn't really do much to get the most out of my shots. A few plugins here and there, some clone stamps, and then some cross processing and B&W conversions later, I got some quality output. Funny, how a little post processing can go a long way.

I should do this more often as I think I am doing a better job post processing some time after the shoot than having to rush my output. But then again, I don't want my shoots to end up in limbo for a long time.

High Key B&W

High Key

Cross Processed

The Last of Summer: Portraits #12 and #13

It's the rainy season again which means summer is officially over and schools have opened once again. There is a heavy downpour outside I can't go home so I’ll just write another blog. I think it’s time to buy one of those rain covers for my camera and try shooting bad weather photos again.

And speaking of seasons, I have been shooting with the PhotoBombers in a remote part of the city where I have seen the seasons changed. First it was parched, and then burnt (naturally or via human intervention), then green shoots started appearing and lastly, a spectacular sea of green. It is a very versatile location and that’s why it is my favorite spot; plus the fact that its secluded.

And our last shoot with the waist high grass sporting those fluffy cotton like things on top was for me the most memorable.

We had Dexia and Michelle for models the last time out. Dexia is an image model for a local clothing line and Michelle is a first time model. They were classmates since kindergarten and are practically inseparable; not to mention they mirror or complement each other in looks and behavior. I enjoyed the shoot but I was having a hard time controlling aperture priority mode while being against the light. It was too late when I figured out how to work through it. Lesson learned, next time use the Manual mode. One other thing I failed to do is bring out my zoom lens as I wanted to have lens blur of a different sort. Anyway, I'll get my chance soon.

Here are a couple of shots from the set. I used only plugins for Adobe Photoshop in this set. Nik Software can really make life easier when you know what to do. Since I don't, I spent a week experimenting on what effects to use.

Dexia (Indian Summer)

Michelle (B&W Film effect)

And here are the portaits I will be adding to my project.

Portrait #12: Dexia

Portrait #13: Michelle

Remembering B&W and Portrait #10.

Believe it or not, I started shooting with film. If I remember it right, my dad always bought the Kodak ASA 400 black and white film. Back in the day, it was much more expensive to develop black and white but my dad, smart as he is, decided that it was better for me as colored film was much harder to shoot for an 11 year old kid.

15 years after, I still love black and white. And in my recent shoot, I tried to produce output that would be similar to shooting with black and white film. I did some research on how to do it. I learned how to add a bit of grain and noise to create that "B&W film look". Post processing in black and white is also much easier for me as I do not need to consider balancing colors; dodging and burning is complicated enough for me. And I wish that I had a film camera to play around with; my dad's Pentax needs a bit of cleaning before I can use it.

Here is my take on the B&W film look... with Anri as my model.

And I got to shoot with a new model, Dixie.

And I also came back to the location of my first photoshoot, Davao City's Pawikan Sanctuary. Here is where I tested the waters of portraiture. And similar to my last post, I did a bit of reminiscing. Its nostalgic and at the same time uplifting, knowing that I have come back to this place better than when I started.

Lastly, I haven't forgotten about my project. At the request of Dixie, I'm adding her favorite portrait to my 100 portraits album. I decided it would be in color since my last one was B&W. And I wanted it to be in color too because I love the sky background. 90 more portraits to go!

Portrait #10: Dixie

 

PS: I'll be posting again in the coming days with another shoot at the Pawikan Sanctuary and Portrait #11!

Full Circle: Portrait #9

About 10 months ago, I was invited to a portraiture shoot. I didn't really have any knowledge of doing portraiture as I was only interested in doing macro and street shoots. Little did I know that the day marked the beginning of a huge shift in my photography hobby.

At the start of the year I decided on doing my 100 portraits project. And, as luck would have it, one of my first models would be a part of it. Jaynie, or Jai-Jai as we call her, was one of the up and coming faces when I started and ever since that first shoot has been a good friend of the group. Though she isn't as active in the modeling industry as she was last year, I still had a chance to include her in my project during the annual summer outing of the Fanatic Photographers Society here in Davao City.

Here is the portrait I took about 10 months ago.

And this was just a few weeks ago. This is Portrait #9 out of 100.

I'm happy that after 10 months of portraiture shoots, I can see some progress in my style. Though I know that I still have a long way to go in this field, seeing my own progress makes me happy. And at the end of this project, I will once again take a look at what has improved and what needs to be improved.

After all, the only thing that is constant in this world is change.